
The Alexander McQueen by Sarah Burton Resort 2011 Collection drew inspiration from Hans Bellmer’s sinister doll drawings.
Other Hans Bellmer-influenced collections : Acne Studios by Jonny Johansson Autumn/Winter 2012-2013 (this show was partly based on how artists such as Hans Bellmer looked at the body), Alexander McQueen Spring/Summer 1997 (this show, titled « La Poupée / The Doll », as an homage to Hans Bellmer’s 1935-1936 eponymous work, was dedicated to the German-French surrealist artist), Warren Noronha Spring/Summer 2002 (this show was inspired by Hans Bellmer’s papier-mâché doll art).
Photo : Courtesy of Alexander McQueen
Tags: Alexander McQueen, art, Drawing, Fashion, Hans Bellmer, Inspiration, Photography, Sarah Burton, Surrealism, The Doll
The « Homage to Cocteau / Hommage à Cocteau » look of the surrealism-themed Jean Paul Gaultier Couture Autumn/Winter 2003-2004 Show, titled « Morphing », paid tribute to Jean Cocteau.
Other collections inspired by Jean Cocteau’s art : Bruno Pieters Autumn/Winter 2005-2006 (this collection was influenced by Jean Cocteau and Art Deco), Catherine Malandrino Autumn/Winter 2009-2010 (this show featured a pattern, showcasing 2 profiles, turning into a vase, originally designed by Jean Cocteau for Schiaparelli), Franck Sorbier Couture Spring/Summer 2007 (the « eye » strapless dress was based on Jean Cocteau), Jean-Charles de Castelbajac Pre-Fall 2014 (the starting point of this collection was a lithograph by Jean Cocteau, titled « Je me souviens de l’avenir / I remember the future »), John Galliano Spring/Summer 2011 (one outfit of this Maria Lani-inspired show evoked the portrait of Maria Lani that Jean Cocteau painted).
Photo : Courtesy of Jean Paul Gaultier
Tags: art, Fashion, Homage to Cocteau, Hommage à Cocteau, Inspiration, Jean Cocteau, Jean Paul Gaultier, Morphing, Painting, Surrealism

The « Erwin Blumenfeld (1897-1969) : Photographs, drawings and photomontages » exhibition at Paris’ Jeu de Paume, from October 15, 2013 until January 26, 2014, has influenced the collagelike patterns of the Carven by Guillaume Henry Autumn/Winter 2014-2015 Show.
Other Erwin Blumenfeld-inspired collections : Amanda Wakeley Spring/Summer 2009 (this collection was based on the photographs of Erwin Blumenfeld and Nobuyoshi Araki), Jonathan Saunders Spring/Summer 2011 (this show paid tribute to the « gorgeous picture-postcard beauty » of the women in Erwin Blumenfeld’s ’40s and ’50s fashion photography).
Photo : Giovanni Giannoni
Tags: art, Carven, Collage, Cubism, Dada, Erwin Blumenfeld, Fashion, Guillaume Henry, Inspiration, Photography, Surrealism
The strong use of femininity in Meret Oppenheim’s surrealist art has influenced the Jean-Charles de Castelbajac Autumn/Winter 2014-2015 Show, titled « Sportsoir ».
Another Meret Oppenheim-inspired collection : Giambattista Valli Autumn/Winter 2008-2009 (Meret Oppenheim was referenced in this show).
Photo : Giovanni Giannoni
Tags: art, Fashion, Inspiration, Jean-Charles de Castelbajac, Meret Oppenheim, Painting, Photography, Sculpture, Sportsoir, Surrealism

The bicornes that Stephen Jones has created for the Schiaparelli by Marco Zanini Couture Spring/Summer 2014 Show reference Christian Bérard’s brushstrokes.
Other Christian Bérard-inspired collections : Dior by John Galliano Couture Autumn/Winter 2005-2006 (this show was partly influenced by how Dior’s designs were reflected in the work of Christian Bérard), Moschino Spring/Summer 2004 (the pink georgette scarf-printed dresses were based on Christian Bérard’s surrealistic work), Nina Ricci by Peter Copping Spring/Summer 2011 (some sketches that Christian Bérard made for Nina Ricci inspired this collection).
Photo : Giovanni Giannoni
Tags: art, Bicornes, Christian Bérard, Fashion, Illustration, Inspiration, Marco Zanini, Painting, Schiaparelli, Stephen Jones, Surrealism

Man Ray’s photographic tribute to Jean-Auguste-Dominique Ingres, « Ingres’s Violin / Le Violon d’Ingres », was referenced in the Jean-Charles de Castelbajac Autumn/Winter 2011-2012 Show, titled « Woman / Ray ».
Some Jean-Auguste-Dominique Ingres-inspired collections : BodyAmr Autumn/Winter 2011-2012 (this collection paid homage to Jean-Auguste-Dominique Ingres’s « The Big Odalisque / La Grande Odalisque » painting), Elisabeth de Senneville Spring/Summer 1989 (this collection featured printed images which reproduced Jean-Auguste-Dominique Ingres’s « The Turkish Bath / Le Bain turc » work), Maryam Keyhani Autumn/Winter 2011-2012 (for this collection, which honored Jean-Auguste-Dominique Ingres’s color palette, Maryam Keyhani started sketching on top of the neoclassical painter’s portraits), Pleats Please by Issey Miyake Autumn/Winter 1996-1997 (the N° 1 « Guest Artist Series », in collaboration with Yasumasa Morimura, featured prints that were based on Yasumasa Morimura’s photographs, which were originally influenced by Jean-Auguste-Dominique Ingres’s « Odalisque » artwork).
To read about other Man Ray-inspired collections, search for the « Man Ray » post that I have published on July 6, 2012.
Photo : MarieClaire.fr
Tags: art, Fashion, Ingres, Inspiration, Jean-Auguste-Dominique Ingres, Jean-Charles de Castelbajac, Kiki de Montparnasse, Man Ray, Neoclassicism, Painting, Photography, Surrealism

The surrealism-inspired Jean Paul Gaultier Couture Autumn/Winter 2006-2007 Show (whose 32nd look, « Médée », reinterpreted the « Skeleton Dress » that Elsa Schiaparelli made in collaboration with Salvador Dalí) paid homage to Jean Cocteau’s « Beauty and the Beast / La Belle et la Bête ».
Other « Beauty and the Beast »-influenced campaigns, collection, items or windows : Custo Barcelona Autumn/Winter 2013-2014 (this show, titled « Beauty and the Best », drew inspiration from « Beauty and the Beast »), Dior (the TV ad for the « Poison » fragrance, directed in 1985 by Claude Chabrol and Tyen, reimagined « Beauty and the Beast » ; the TV campaign for the « Pure Poison » perfume, directed in 2004 by Jean-Baptiste Mondino and John Galliano, also took inspiration from Jean Cocteau’s romantic fantasy film), Diptyque (in September 2009, Diptyque launched 2 candles, illustrated by Kuntzel + Deygas, which paid tribute to « Beauty and the Beast »), Galeries Lafayette (to celebrate the 2014 release of Christophe Gans’ « Beauty and the Beast » remake, the Galeries Lafayette Haussmann, in Paris, displayed several « Beauty and the Beast »-themed Christmas windows, which were unveiled in November 2013).
Photo : ELLE.com
Tags: art, Beauty and the Beast, Cinema, Elsa Schiaparelli, Fashion, Inspiration, Jean Cocteau, Jean Paul Gaultier, La Belle et la Bête, Movies, Salvador Dalí, Skeleton Dress, Surrealism